, souvent salu\u00e9 comme le pionnier du photojournalisme, a cofond\u00e9 Magnum Photos. Il a introduit le concept du \u00ab\u00a0moment d\u00e9cisif\u00a0\u00bb. Son exceptionnelle habilet\u00e9 \u00e0 capturer des moments avec pr\u00e9cision et un flair artistique a r\u00e9volutionn\u00e9 la photographie.<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\nLe XXe si\u00e8cle a \u00e9t\u00e9 celui de l\u2019image. Henri Cartier-Bresson, photographe, n\u00e9 en 1908, est\u00a0l\u2019\u0153il\u00a0d\u2019un si\u00e8cle.\u00a0Raconter sa vie d\u00e9crypter son \u0153uvre, c\u2019est d\u2019abord \u00e9crire l\u2019histoire d\u2019un regard.\u00a0<\/em>En d\u00e9ambulant dans son si\u00e8cle, le regard de ce promeneur lucide a saisi la fascination de l\u2019Afrique des ann\u00e9es 1920, crois\u00e9 les destins tragiques des r\u00e9publicains espagnols, accompagn\u00e9 la Lib\u00e9ration de Paris, capt\u00e9 la lassitude de Gandhi quelques heures avant son assassinat et t\u00e9moign\u00e9 de la victoire des communistes chinois.\u00a0<\/em>Henri Cartier-Bresson fut aussi l\u2019assistant de Jean Renoir pour trois films majeurs \u2013 un artiste qui se veut artisan et qui fonde n\u00e9anmoins Magnum, la plus prestigieuse des agences de photo. C\u2019est encore celui qui a fix\u00e9 les traits de ses contemporains, Mauriac en l\u00e9vitation mystique, Giacometti, Sartre, Faulkner ou Camus, et tant d\u2019autres saisis \u00e0 l\u2019instant d\u00e9cisif, autant de portraits pour l\u2019\u00e9ternit\u00e9.\u00a0<\/em><\/p>\n\u2013\u00a0<\/span><\/em>Pierre Assouline,\u00a0Henri Cartier-Bresson, l\u2019\u0153il du si\u00e8cle,\u00a0<\/span><\/em>aux \u00e9ditions Folio \/ Gallimard.<\/p>\n <\/p>\n
Le cin\u00e9ma<\/strong><\/p>\n1935 :\u00a0<\/strong>S\u00e9journe aux Etats-Unis et s\u2019initie au cin\u00e9ma aupr\u00e8s de Paul Strand et du groupe Nykino.<\/p>\nExposition au Palacio de Bellas Artes, Mexico, avec Manuel \u00c1lvarez Bravo et le mois suivant \u00e0 New York, \u00e0 la Galerie Julien Levy, avec Walker Evans et Manuel Alvarez Bravo.<\/p>\n
1936 :\u00a0<\/strong>Assistant de Jean Renoir sur\u00a0La vie est \u00e0 nous<\/em>\u00a0<\/em>et\u00a0<\/em>Partie de campagne.<\/em><\/p>\n1937 :\u00a0<\/strong>R\u00e9alise deux documentaires,\u00a0Victoire de la Vie<\/em>\u00a0<\/em>sur l\u2019assistance m\u00e9dicale en Espagne et\u00a0With the Abraham Lincoln Brigade<\/em>\u00a0sur la vie des soldats am\u00e9ricains pendant la guerre.<\/p>\nReportage sur le couronnement du roi Georges VI d\u2019Angleterre pour le journal\u00a0Ce soir<\/em>.<\/p>\n1938 :\u00a0<\/strong>R\u00e9alise, \u00e0 la demande du Secours Populaire Espagnol, un nouveau documentaire sur la Guerre d\u2019Espagne,\u00a0L\u2019Espagne vivra<\/em>.<\/p>\n1939 :\u00a0<\/strong>Nouvelle collaboration avec\u00a0 Jean Renoir sur\u00a0La R\u00e8gle du jeu<\/em>.<\/p>\n <\/p>\n
Les ann\u00e9es de guerre<\/strong><\/p>\n1940 :\u00a0<\/strong>Rejoint l\u2019unit\u00e9 \u00ab\u00a0Film et photographie\u00a0\u00bb de la 3e<\/sup>\u00a0arm\u00e9e. Est fait prisonnier\u00a0<\/span>le 23 juin 1940<\/strong>.<\/p>\n1943 :\u00a0<\/strong>S\u2019\u00e9vade en f\u00e9vrier, apr\u00e8s deux tentatives infructueuses. Rejoint le Mouvement national des prisonniers de guerre et d\u00e9port\u00e9s (MNPGD).<\/p>\n1944 :\u00a0<\/span><\/strong>R\u00e9alise pour les Editions Braun une s\u00e9rie de portraits d\u2019artistes\u00a0: Henri Matisse, Pablo Picasso, Georges Rouault, Paul Claudel, Pierre Bonnard\u2026<\/p>\n1945 :\u00a0<\/strong>R\u00e9alise\u00a0Le Retour<\/em>, documentaire sur le rapatriement des prisonniers de guerre et des d\u00e9port\u00e9s.<\/p>\n <\/p>\n
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Formation<\/strong><\/p>\n1908 :\u00a0<\/strong>N\u00e9 le 22 ao\u00fbt \u00e0 Chanteloup, Seine et Marne. Etudes secondaires au lyc\u00e9e Condorcet.<\/p>\n1926\u00a0:\u00a0<\/strong>Etudie la peinture \u00e0 l\u2019atelier d\u2019Andr\u00e9 Lhote et fr\u00e9quente les surr\u00e9alistes. R\u00e9alise ses premi\u00e8res photographies.<\/p>\n1930 :\u00a0<\/strong>Passe pr\u00e8s d\u2019un an en C\u00f4te d\u2019Ivoire.<\/p>\n1931 :\u00a0<\/strong>D\u00e9couvre dans la revue\u00a0Arts et M\u00e9tiers Graphiques<\/em>\u00a0une photographie de Martin Munk\u00e1csi\u00a0 et d\u00e9cide de se consacrer \u00e0 la photographie.<\/p>\n <\/p>\n
Premi\u00e8res exp\u00e9riences photographiques<\/strong><\/p>\n1931-32 :\u00a0<\/strong>Ach\u00e8te son premier Leica \u00e0 Paris et voyage en Europe avec ses amis Leonor Fini et Andr\u00e9 Pieyre de Mandiargues. Premi\u00e8res publications dans les revues\u00a0Voil\u00e0<\/em>\u00a0<\/em>et\u00a0<\/em>Photographie.<\/em><\/p>\n1933 :\u00a0<\/strong>Premi\u00e8re exposition \u00e0 la Galerie Julien Levy de New York et \u00e0 l\u2019Ateneo de Madrid.<\/p>\n1934 :\u00a0<\/strong>Part au Mexique avec une \u00e9quipe du mus\u00e9e d\u2019Ethnographie du Trocad\u00e9ro. La mission est avort\u00e9e mais il d\u00e9cide de rester.<\/p>\n <\/p>\n
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Henri <\/span> Cartier <\/span> Bresson 1908 - 2004<\/span><\/h2>\n\t\t\t\t<\/div>\n\t\t\t<\/div>Henri Cartier-Bresson, souvent salu\u00e9 comme le pionnier du photojournalisme, a cofond\u00e9 Magnum Photos. Il a introduit le concept du \u00ab\u00a0moment d\u00e9cisif\u00a0\u00bb. Son exceptionnelle habilet\u00e9 \u00e0 capturer des moments avec pr\u00e9cision et un flair artistique a r\u00e9volutionn\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"elementor_header_footer","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[14,25],"tags":[32,31,30],"class_list":["post-4779","post","type-post","status-publish","format-standard","hentry","category-photog","category-photo-2","tag-hcb","tag-henri-cartier-bresson","tag-photographes","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"_links":{"self":[{"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/posts\/4779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/comments?post=4779"}],"version-history":[{"count":5,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/posts\/4779\/revisions"}],"predecessor-version":[{"id":4790,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/posts\/4779\/revisions\/4790"}],"wp:attachment":[{"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/media?parent=4779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/categories?post=4779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/clabautpatrick.fr\/index.php\/wp-json\/wp\/v2\/tags?post=4779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}